Representaciones sociales de capital cultural en el Cine Colombiano.

Abstract

The following study seeks to investigate social representations that are configured as cultural capital, that is, they play a role in the process of reproduction of the social structure of classes, in three national cinema films. To achieve this, the theory of social representations and the internal psychological space of Moscovicci and the theory of the economics of practices, the transaction of capital (cultural capital) and the social space of Bourdieu are theoretically integrated. It is described, problematized and analyzed in its structure and in its forms of socialization, prior and fundamental elaboration to the interaction with the construction of identity. A critical analysis of their socialization tendencies from Marxist and post-Marxist categories is proposed.