El Doo Wop como estilo vocal para la interpretación de la obra blues Soy negro, mejor negro, pa qué más con acompañamiento e improvisación de la guitarra jazz.

Abstract

This essay focuses on the work ´Soy Negro, Mejor Negro, Pa´Qué Más´ which includes in its exhibition the fusion between Jazz guitar and a choral group with the vocal technique ´Scat´. In jazz, there are various forms of musical expression, among which we can mention: composition, singing, dancing, and, above all, improvisation, which must be appreciated both in the instruments and in the voice, using the ´Scat, as an interpretive vocal resource to improvise with the voice as with any other instrument and the Doo Wop as a vocal style that functions as a choral harmonic support. This essay aims to highlight the roots of the blues musical style, through a fusion with the electric guitar, taking into account its beginnings, which were merely vocal, as well as highlighting the black culture that gives the essence to this musical genre.