Análisis sobre la obra La Gata Golosa de Fulgencio García en versión para piano de Gerardo Betancourt Chavarro.

Abstract

In this monographic essay a formal and interpretative analysis of “la Gata Golosa” in its piano version by Gerardo Betancourt is made, the development of this investigation gives initiative to musicians, interpreters and teachers to have a wider and concise vision of what implies an improvement in the interpretation of a work that originally is not written for piano but that with a correct execution will achieve to obtain the essence of the Colombian Andean music. The general goal is to deepen in the technical and interpretative aspects that are present at the moment of the execution of the work in the piano. In another order of ideas, the antecedents of this investigation are found in books, articles, magazines, monographic essays, and the concepts that are approached are the pasillo, interpretation, Colombian music, adaptation, technique, among others. Based on this, a methodological design has been used, with a qualitative approach of research type creation and interview type data collection technique, the result of which is an audiovisual and digital material, which is exclusively for academic purposes and that provides resources, techniques and other knowledge for the interpretation; secondly, an interpretative and formal analysis of the work La Gata Golosa and finally an ephemeral work where the techniques and resources obtained throughout the research are applied. It is proposed that this monographic essay be part of the research on Colombian Andean music, and it is also proposed a product under a new interpretative proposal.