Análisis Morfosintáctico de la Obra Para Trompeta 'Fantasía en Mi Bemol' de Joseph Barat.

Abstract

In the musical field, instrumental and technical aspects play a fundamental role in achieving an adequate interpretation of a work, both for the performer and the listener. This document focuses on the analysis of the work Fantasia in E flat by Joseph Barat, addressing the main question of this research: How can the work Fantasia in E flat by the composer Joseph Barat be interpreted on trumpet, respecting its conceptual essence through a technically adequate performance? The analysis ranges from a historical approach to the identification of solutions to possible technical challenges in its interpretation. To do so, various sources of information have been consulted, including audiovisual resources, articles, books and websites, with the purpose of contextualizing the work in its historical framework and offering practical examples of interpretation. These references allow us to observe different forms of execution, both in technical and auditory aspects, including elements such as body posture. This study also provides key scores for understanding the work from an analytical perspective, addressing its structure through a morpho-syntactical analysis of rhythmic and melodic variations. Specific techniques, such as double staccato, which are essential in its execution, are examined. The research method combines a descriptive approach, identifying characteristics and phenomena related to the musical structure and the techniques used, with a qualitative analysis that seeks patterns, meanings and interpretative contexts. This allows the work to be evaluated from different perspectives, enriching the understanding of its technical and conceptual interpretation.