Análisis estilístico e interpretativo de la sonata en La K. 322 L483 de Doménico Scarlatti transcripción para guitarra clásica por Richard Yates

Abstract

This analysis delves into the figure and work of Domenico Scarlatti and the Sonata in A Major K.322-L.483, highlighting its intermediate position between the baroque contrapuntal style and the subsequent galant period. Fundamental to his style was a fascination with folklore sounds, including guitars, castanets, and heel-tapping, which he encountered in Seville and Madrid. For this research, a qualitative and historical methodology is employed, and the theoretical framework includes Kilpatrick (1950), Serrallet (2004), and Vera (2015). The Sonata in A Major K.322-L.483 is thoroughly analyzed in harmonic, tonal, and formal terms, emphasizing the structural richness and versatility of melodic motifs. The melodic analysis reveals Scarlatti's mastery in creating ingenious variations and constructing a cohesive musical narrative. The study of the Sonata also addresses interpretative and technical aspects in classical guitar, highlighting the constant leaps of the left hand and the need to approach shifts with skill. Regarding conclusions, the adaptability of Scarlatti's music is emphasized, especially its influence on classical guitar and the analyzed work, despite being originally written for the harpsichord. The significance of formal, harmonic, and melodic analysis is underscored in comprehending the complexity of this composition. Overall, this work provides a comprehensive view of the life and work of Domenico Scarlatti, emphasizing his unique connection with Spanish folk music and his lasting influence on classical guitar performance.