Análisis interpretativo de la obra affirmation a partir del solo escrito en la versión de George Benson.

Abstract

The primary objective of the work carried out in the modality of recital in the music program at the University of Pamplona was to analyze the necessary technical characteristics in the solo interpretation written from the theme Affirmation in the George Benson’s version, as theoretical reference the work underpinned the bases in assumptions that revolve around musical interpretation and the key elements for Jazz improvisation from melodic instruments, likewise, were deeply analyzed authors who describe esthetic, technique and expressions to justify interpretive analysis. From the qualitative paradigm point of view the conducted process at the research incubator is framed within qualitative research with a descriptive approach, this fact determined an exhaustive formal analysis of the work in question. In correspondence with the previous fact, validity and reliability were based on the review of three experts in the field. As results of the process, the recital was presented as well as the written work in the form of academic paper