Propuesta interpretativa del Nocturno No. 20 óp. póstumo de Fryderyk Chopin.

Abstract

This essay exposes the interpretive proposal of the author about the Nocturne No. 20 Óp. posthumous by Fryderyk Chopin, fundamental mainly in the study of the work during the last semesters of Piano as the main instrument in the Music program at the University of Pamplona, according to the research carried out on the connection between emotion and sonority as the interpreter's own work. 4 Initially, the contextualization of the events of the composer's life is presented, characteristic aspects of the Nocturne as a musical genre, also the predominant composers and aspects of the composer's style. Next, the morphosyntactic analysis, the resources of the piano techniqueand finally the evocative ideas identified for the interpretation of the work are manifested. The methodology used is qualitative, within the interpretive paradigm and with a predominance of the musicological approach. Likewise, this monographic essay aims, first, to contribute to the study of the work of the Polish composer Fryderyk Chopin and to contribute to the understanding of the aspects of the piano technique used in the Nocturne that facilitate its interpretation.