La técnica pianística aplicada en la propuesta interpretativa de la Barcarola Opus 37 bis No. 6 de Piotr Ilich Tchaikovsky.

Abstract

This monographic essay focuses on implementing technical solutions according to the stylistic parameters of the work Junio – Barcarola Opus 37 bis n°6 by Piotr Ilich Tchaikovsky, through a process of musical analysis, with the intention of achieving an adequate interpretation of it. and therefore, the formulation of an interpretative proposal of the author according to her experience in the study of the work. 4 As theoretical references are Lucca Chiantore, Margarita and Arantza Lorenzo de Reizábal, among others, who deal with aspects such as piano technique and morphosyntactic analysis. The methodology used is qualitative, within the interpretive paradigm and with a predominance of the musicological approach. In addition, this work seeks to contribute to the study of the style of the composer Piotr Ilich Tchaikovsky and to make contributions on technical aspects found in the work, to optimize the interpretative possibilities.