Análisis morfológico de la Técnica Slap en la obra Boomerang de Viktor Lörincz para bajo eléctrico.

Abstract

The interpretation of the musical work "Boomerang" by the bassist and composer Viktor Lörincz is a theme for solo electric bass with exclusive accompaniment of the drums, where the skill and virtuosity of the interpreter is reflected as he advances, as he applies two different techniques; Tapping and Slap; the latter requires skill and sonority, which is subject to the style of the bassist, since it is not only limited to the traditional execution of the main strokes of the technique, but also explores and implements more technical variants, such as "triples" and the double thumb attack. The purpose of this document is to carry out a morphological analysis of the Slap technique in the work Boomerang, which allows to determine the difficulties of interpretation of said technique and its possible solutions. Consistent with this purpose, clear guidelines are proposed that contribute to the understanding, internalization and mastery of the interpretive technique in question, proposing study exercises on the instrument, which, accompanied by a conscious, constant and rigorous study by the interpreter, result in the mastery and correct interpretation of the slap technique in the work Boomerang.