Recursos para la interpretación de la Sonata Hob. XVI/27 de Franz Joseph Haydn.

Abstract

This monographic essay bases its research on the musical analysis of the sonata in G major Hob. XVI/ 27 by Franz Joseph Haydn with the intention of deepening the knowledge necessary for the coherent presentation of the musical interpretation of the work. Among the theoretical references there is the work of Charles Rosen, pianist and music theorist who presents a description of the style of classicism, using as a reference the works of its main representatives, including Haydn; Carl P. E. Bach, son of Johann Sebastian Bach who exposes his knowledge of the performance for the interpretation of keyboard instruments; and Leonard G. Ratner who inquiries about the interpretation, form and style of classicism. The project methodology is qualitative, making use of the musicological approach, under the interpretive paradigm. In the same way, this preliminary project seeks to provide content that encourages the knowledge of this musical work in the undergraduate students in music of the University of Pamplona and musicians of the region, also, favor its study, as well as the works of the classical style.