Un recorrido sobre el pensamiento de la técnica pianística desde Bach a Luis A. Calvo.

Abstract

As players, we assume the challenge of studying in depth the essential features of a opus such as the composer's musical thinking, its time, its technical principles; it is not enough to learn to decode the musical spelling of the scores, but to give a proper musical sense, according to each philosophy of the composers and above all to use their fundamental technical resources, since the production of sound is directly affected according to the position of the hand and fingers to play the piano, the displacement of the hand through the piano, the way we use the pedal, to mention just some bodily actions involved in piano performance. This paper collects information on the technique implemented by Bach, Beethoven, Chopin, Debussy, Delgado Palacios and Luis A. Calvo, exponents of piano music from different periods of music.