Exploración sonora y transposición de la obra Solo de Concours de Henri Rabaud a partir de incorporación de herramientas técnicas.

Abstract

The work presented below focuses on the coat of arms, analyze morphologically, play, identify the elements of academic musical language with what has been conceived the work "Soloist of Concours" by the composer Henri Rabaud, originally written for solo clarinet And accompaniment Piano And the work in the exploration of the same in another format, emphasizing each and every one of the elements of sound construction, respecting that yes, the conception of the composer, but incorporating new colors, new interpretations with the putting into Scene of the group of clarinets of the University of Pamplona, as a harmonious support, establishing the bridges that connect in a good way the different languages that are revealed to the interior of the work. It is necessary to determine that this is the most important work of the recital that pretends to show the credentials of fulfillment of all the musical arguments from the instrumental execution, and that will be nourished of a select repertoire where the clarinete and my personal work allow to evidence my step by this one House of Studies; For which it is significant to mention the approach of works of a universal, Latin American and Colombian character, counting on diverse formats that favor the enhancement of the multiple possibilities and riches that this wonderful instrument has.