Análisis y propuesta interpretativa de las Danzas Argentinas Op.2 de Alberto Ginastera.

Abstract

This monographic essay arose by choosing within the piano repertoire of the recital modality, the suite of the three Danzas Argentinas Op. 2 by the Argentine composer Alberto Ginastera, it’s his most recognized work and performed by pianists from all over the world where they are impregnated by the grandeur of the fusion of Argentine folklore and history along with contemporary composition techniques. Renowned pianists such as Horacio Lavandera and Martha Argerich of Argentine origin, Lang Lang of Chinese origin, Kotaro Fukuma of Japan, have ventured to play this Ginastera suite. Each one of them evidences in an audio and video format its interpretation which is the result of the study of these dances, and this is what begins this investigation. Therefore, this study seeks a connection between performer, composer and audience, in order to interpret each dance as reliably as possible to the Durand & Cie 1939 edition of the score Danzas Argentinas Op. 2. The importance of this thesis lies in the fact that said information will be useful to execute a conscious interpretation of the score, therefore, this monographic essay develops three main themes that are distributed as follows: • Context of the Danzas Argentinas Op.2 by Alberto Ginastera. • Morphosyntactic analysis of the three dances. • Interpretive proposal of the three Danzas Argentinas Op. 2 by Ginastera.