Desafíos técnicos e interpretativos en la obra lejano azul intermezzo N° 2 de Luis Antonio Calvo en la adaptación para trompeta y piano, arreglo del maestro Oleksandr Solomenyuk.

Abstract

This research focuses on the interpretative analysis of the accompanying pianist, taking as a central axis one of the best known works of Luis A. Calvo. The study of Lejano Azul in the adaptation for trumpet and piano by Oleksandr Solomeniuk. Although it is originally a soloist work, here we will start with his main instrument from a second plane, in addition to promoting a better execution and technique in function of the accompanying pianist, this being one of the main focuses within this work. The general objective of this monographic essay is to identify the technical and interpretative challenges in the Intermezzo No. 2 Far Blue in the adaptation for trumpet and piano. The background of this research is found in undergraduate works and books on the musical journey of our composer; the main concepts are: Challenges, technical, interpretative, accompanist, execution. We used a qualitative methodology and creation research procedure with: contextualization, triggering sensation and plastic conformation, which will lead us to the fulfillment of activities with an objective. The results cover various dimensions, such as from where it is obtained: through articles, research conducted and acquired results: digital texts, that its product is directed to the accompanying interpretation, which will be educational and appropriate in the interpretive practice. Also evidenced in an audiovisual way within the repertoire of the grade recital. Finally, some possible solutions of the interpretative challenges that are being identified in the work Lejano Azul, in its adaptation and in relation to the original version for solo piano, are proposed.