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    dc.contributor.authorCastro-Turriago, Jesus Augusto.-
    dc.date.accessioned2025-10-15T22:47:26Z-
    dc.date.available2024-
    dc.date.available2025-10-15T22:47:26Z-
    dc.date.issued2024-
    dc.identifier.citationCastro, J. (2024). The Art of Singing and Playing on the Modern Flute. Volume I: Fundamentals. Sello Editorial Universidad de Pamplona. http://repositoriodspace.unipamplona.edu.co/jspui/handle/20.500.12744/10414es_CO
    dc.identifier.isbn978-628-7656-21-5-
    dc.identifier.urihttp://repositoriodspace.unipamplona.edu.co/jspui/handle/20.500.12744/10414-
    dc.descriptionElautor no proporciona la información sobre este itemes_CO
    dc.description.abstractThe present treatise is a first result of a music research project led by the author in collaboration with The Music, Education, Culture, and Society Research Team. This document realizes a study of the flute extended technique known as Singing and Playing. In describing this technique, this document first presents a complete discussion about various aspects that relate to the Singing and Playing Extended Technique, for example, 1) diverse pedagogical benefits of its regular use; 2) descriptions about basic flute sound and talking/singing making procedures; 3) an exploration of some of the most common graphic notation used to write singing and playing; 4) a suggested basic instruction for developing this extended technique; 5) inclusion of basic etudes to center the learning of the domain of singing and playing; and, 6) inclusion of the conceptual philosophy behind the treatise. Second, this book presents a complete Singing and Playing method on the modern flute, which studies the basic fundamentals required to master this extended technique. Some of these fundamentals include the practice of major, minor, chromatic, diminish and augmented scales and intervals, and diverse etudes focused on the study of thirds, fourths, fifths and sixths.es_CO
    dc.format.extent234es_CO
    dc.format.mimetypeapplication/pdfes_CO
    dc.language.isoen_USes_CO
    dc.publisherSello Editorial - Unipamplona - Facultad de Artes & Humanidades - Arteses_CO
    dc.subjectArt.es_CO
    dc.subjectModern.es_CO
    dc.subjectFlute.es_CO
    dc.subjectMusic.es_CO
    dc.subjectSinging.es_CO
    dc.subjectPlaying.es_CO
    dc.titleThe Art of Singing and Playing on the Modern Flute. Volume I: Fundamentals.es_CO
    dc.typehttp://purl.org/coar/resource_type/c_2f33es_CO
    dc.date.accepted2024-
    dc.description.editionPrimera Edición.es_CO
    dc.relation.referencesBotieff, J. D. (May, 2015). Flute Extended Techniques: A Practice Guide and Analytical Study of Hatching Aliens by Ian Clarke. (Masters Diss). California State University, Long Beach, California.es_CO
    dc.relation.referencesCadoz, C., and Wanderley, M. (2000). Gesture – Music. Trends in Gestural Control of Music. Visited on January 16th, 2022, https://www.researchgate.net/publication/281419029_Gesture-Musices_CO
    dc.relation.referencesClarke, I. (2003). The Great Train Race [Score]. Ed. 1.3, Corydon: Just Flutes.es_CO
    dc.relation.referencesClarke, I. (2004). Zoom Tube for Solo Flute [Score]. Ed. 1.3b, Croydon: Just Flutes.es_CO
    dc.relation.referencesDavis, C. L. (2012). Extended Techniques and Electronic Enhancements: A Study of Works by Ian Clark. (DMA Diss). The University of Southern Mississippi, Hattiesburg,- Mississippi.es_CO
    dc.relation.referencesDelisle, J. (June, 2016). Mapping the Sound World of the Flute: Towards a new Classification of Standard and Extended Techniques,Presented in Proceedings of the 9th International Conference of Students of Systematic Musicology, Jyväskylä, Finland.es_CO
    dc.relation.referencesDick, R. (1999). Fish are Jumping for Flute Alone [Score]. Multiple Breath Music.es_CO
    dc.relation.referencesDick, R. (1985). Zoom Tube for Solo Flute [Score]. St. Louis: Multiple Breath Music Company.es_CO
    dc.relation.referencesDick, R. (1989). The Other Flute: A Performance Manual of Contemporary Techniques. 2nd ed. St. Louis: Multiple Breath Music.es_CO
    dc.relation.referencesDick, R. (1986). Tone Development Through Extended Techniques. Rev. ed. St. Louis: Multiple Breath Music.es_CO
    dc.relation.referencesGraff, P. L. (2002). Check UP: 20 Basic Studies for Flutist. 3rd ed. New York: Schott.es_CO
    dc.relation.referencesKujala, W., (2012). The Flutist’s Vade Mecum of Scales, Arpeggios, Trills, and Fingering Technique. Illinois: Progress Press.es_CO
    dc.relation.referencesMinisterio de Ciencia, Tecnología e Innovación [Minciencias] (2021). Anexo 1 Convocatoria Nacional para el Reconocimiento y Medición de Grupos de Investigación, Desarrollo Tecnológico o de Innovación y para el Reconocimiento de Investigadores del Sistema Nacional de Ciencia, Tecnología e Innovación 2021.es_CO
    dc.relation.referencesMisurell-Mitchel, J. (2002). Sometimes the City is Silent [Score].es_CO
    dc.relation.referencesTaffanel & Gaubert., (1958). Méthode Complète de Flûte. Paris: Alphonse Leduc.es_CO
    dc.rights.accessrightshttp://purl.org/coar/access_right/c_abf2es_CO
    dc.type.coarversionhttp://purl.org/coar/resource_type/c_2df8fbb1es_CO
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